Fairy tales based on roles - let's play in a group! Table role-playing tales and games for any occasion

This cheerful, humorous and funny fairy tale - skit can be staged in the form of a game to entertain guests at family holiday, at a children's party, as well as at a wedding, corporate party, birthday, anniversary or any other holiday that involves a large number of participants. The production involves amateur actors who are chosen from among the guests at will. The actors are given the text of the script for the fairy tale-sketch and they depict all the actions of the heroes of this fairy-tale skit-game at the holiday. Fun - guaranteed!)

FUN COOL GAME SKETCH - TALE for guests at the holiday

Leading: On such a holiday, all sorts of miracles happen. Let's create a miracle with you too?! We invite you to take part in an exclusive miracle performance with us. After all, acting talents are hidden in each of us. Now we will choose actors for our performance.

Actors are chosen from among the guests at will. The guest actors are given the text of the script for the game “Fun Fairy Tale-Sketch” and they depict all the actions of the heroes of this fairy-tale skit-game at the holiday.

The presenter names all the heroes and each guest of the holiday - an actor in a skit - introduces his hero, bows or performs some characteristic movement.

So, the characters and performers:

Father Tsar Bear Oak Breeze

Queen Mother Sweet Swallow Throne of Bees

Tsarevich-smelyan Nightingale-no-robber Sun

Princess-no-smeyana Mouse-norushka Window

Scary-Robber Humpbacked Horse Curtain-luxurious

TALE - PERFORMANCE.

Act one

THE LUXURIOUS CURTAIN slowly opens... On the stage there is a beautiful spreading powerful OAK... And a light cheerful BREEZE gently blows the foliage of the OAK ... Little neat birds - the SWALLOW-SWELL and the NIGHTINGALE-NOT-THE-ROIFT - flutter around the OAK and talk about something... they occasionally sit down on thin branches to rest and clean their beautiful well-groomed feathers... At this time, they waddle past the OAK, slightly drunk, a huge BEAR passed by... The cheerful BEAR was carrying a barrel of mead on his back and brushing off the annoying BEES... A gray-gray HORN MOUSE was digging a deep hole under a spreading OAK... And the red SUN slowly rose above the steep head of the OAK, and scattered its hot rays into all sides. Here the LUXURIOUS CURTAIN is slowly closing...

Act two

CURTAIN-LUXURIOUS very slow opens... In the center of the stage stands a beautiful THRONE... The half-asleep TSING-FATHER comes onto the stage... The half-asleep TSING-FATHER slowly stretches... and approaches the WINDOW covered with a thick curtain. Having pulled back the curtain and opened the WINDOW, the TSING-FATHER looks around in all directions... He wipes from the WINDOW the barely noticeable traces that were left by the SWALLOW-NOT-THIFT. And, thoughtfully, the TSING-FATHER sits down on the THRONE... Then the QUEEN-NON-MEMEAN appears on the stage. She walks with the gait of a timid doe, swaying her hips... THE QUEEN-NESMEYANA opens her arms to the sides, throws herself on the TSAR-FATHER's neck, and kisses him... THE QUEEN-NESMEYANA and the TSAR-FATHER sit down together on a beautiful THRONE... At this time, under the open WINDOW, bending over, bending his back so that he cannot be seen from the window, the terrible TERRIBLE ROBBER is prowling... He is thoughtful. He is contemplating an insidious, terrible plan to capture the young NISUMEYANA QUEEN... At this time, the ONE-NOSEMEYANA QUEEN gets up from the THRONE and sits down by the WINDOW... Immediately the TERRIBLE ROBBER grabs her by the waist, throws her over his shoulder and carries her off the stage... LUXURIOUS CURTAIN very slowly closing...

Act three

CURTAIN-LUXURIOUS very very slow opens... Turmoil. There is chaos and commotion on the stage, everything is upside down. THE QUEEN-MOTHER, throwing up her hands, sobs... wiping her nose on the shoulder of the QUEEN-FATHER - the husband of the QUEEN-MOTHER... THE QUEEN-FATHER wipes away a large, stingy tear with her sleeve... THE QUEEN-FATHER is rushing around the stage like a tiger in a cage... A handsome young man appears on the stage TSREVICH-BRAVE... He asks with gestures: what happened? THE QUEEN-MOTHER and the TSAR-FATHER, in the colors of pantomime, describe to the QUEEN-BRAVE the kidnapping of their daughter - THE QUEEN-NESMEYANA... THE QUEEN-FATHER and the QUEEN-MOTHER stomp their feet on the stage... THE QUEEN-MOTHER abruptly... with a roar... falls at the feet of the young to the beautiful TSREVICH-BRAVE and bursting into tears, begs the TSREVICH-BRAVE to save her daughter... The young TSREVICH-BRAVE swears to the parents of the QUEEN-NESMYAN to find his beloved... TSAREVICH-BRAVE whistles to his smart and faithful HORSE- THE HUMPTED HORSE... jumps on the HUMPTED HORSE..., rushes away from the stage... LUXURIOUS CURTAIN very, very slowly closing...

Act four

CURTAIN-LUXURIOUS very very very slow opens... On the stage stands a beautiful, spreading, powerful OAK... And a light, cheerful BREEZE gently blows the foliage of the OAK... Little neat birds - SWALLOW-SWEET AND NIGHTINGALE-NOT-THE-ROBIT - sleeping on a branch of an OAK... A grey-gray MUSHLE MOUSE gnaws fried sunflower seeds in its deep hole... Under a spreading OAK tree, a cheerful BEAR lies lounging... Smacking its lips, the BEAR sucks its right paw... The right hind paw... At this time, a terrible loud noise breaks the silence on stage and peace... It is the TERRIBLE BIGGER dragging the QUEEN-NOSAME... The animals run away in horror... THE TERRIBLE BIGGER ties the QUEEN-NOSAME to an OAK... She cries and begs for mercy... But then the QUEEN-BRAVE appears on his dashing HUMPED HORSE.. A fight ensues between the TERRIBLE BIGGER and TSAREVICH-BRAVE... With one royal blow, TSAREVICH-BRAVE defeats the TERRIBLE-BRIGER... THE TERRIBLE-BRIGER gives an oak under the OAK... TSAREVICH-BRAVE unties his beloved from the tree... Having placed the QUEEN-NON-BRAVE on a HORSE-G ORBUNK… he jumps in himself... And they rush into the palace... THE LUXURIOUS CURTAIN closes very, very, very slowly...

Act five

CURTAIN-LUXURIOUS very very very very slow opens...On the stage, the TSAR-FATHER and the QUEEN-MOTHER are waiting for the return of the newlyweds at the open WINDOW... THE SUN has already set below the horizon... And then the PARENTS see the familiar silhouettes of the TSAREVICH-BRAVE and the QUEEN-NESMEYAN on a HUMPED HORSE... PARENTS jump out into the yard... CHILDREN fall at the feet of their PARENTS and ask for blessings... They bless them and begin to prepare for the wedding... THE LUXURIOUS CURTAIN closes very, very, very, very slowly... We invite all our wonderful artists to the stage to bow... That’s the END to the fairy tale.

Advice from Favorite Holiday: any holiday will become brighter and more fun if there is a show on it soap bubbles from the agency "Kingdom of Miracles". Order a soap bubble show at children's party Can . And your guests will be delighted!

As children, we all read fairy tales “Kolobok”, “Turnip”, etc. Let's remember our childhood, but only in an adult way! Great entertainment for any occasion.

7 people, host's choice
We choose who will play the roles. When choosing, we invite everyone to learn the role. And we begin to tell the story. When we talk about a hero, the person must say his own phrase. And so on until the very end. All participants simply sit at the table. Except for the turnip, which is usually put on a chair in front of everyone, and forced to do something else besides words. Try not to delay! Presenter comments are required!

Music: Lady, or any. Russian folk without words
Gifts: Audience Choice Awards for best roles
Props: (role options)
Turnip - man, put your hands away, I’m not even 18 yet!
Dedka
I have become old, my health is not the same!
It's about to get so drunk!
Grandma-grandfather doesn’t satisfy me lately! (preferred)
Granddaughter - I'm ready!
Grandfather, grandmother, let's hurry up, I'm late for the disco!
Bug - I'm not a bug, I'm a bug!
Dog work!
Cat
Remove the dog from the site, I'm allergic!
Mouse
Guys, maybe a shot glass?

A funny fairy tale new way for great company


Required: 5-7 people and the text of the fairy tale "Kolobok"
There are different situations in life, but the grandmother and grandfather from the fairy tale about the kolobok did not have children, but they had a kolobok.
We want to show you how it was, and for this we will need seven participants: Grandfather, Baba, Kolobok, Hare, Wolf, Bear, Fox.
The presenter begins to tell a well-known fairy tale, and the designated hero-participants, when their character is mentioned, must play out the plot of the fairy tale.
The presenter must constantly mention the resting heroes.
Example:
The bun rolled and rolled and met a wolf. And at that time the grandfather and woman were sitting on the threshold of their house and looking into the distance, waiting for the kolobok.
So the story begins:
Moral: It’s better to have your own children and enjoy them than to constantly wait for the little bun to return.

A fairy tale with the participation of guests of the celebration


5 people participate: king, butterfly, bunny, fox, chicken.

In a certain kingdom-state there lived a positive optimist king. One day the king was walking along a forest path, and not just walking, but jumping. He waved his arms and generally enjoyed life. I was chasing a colorful butterfly, but I still couldn’t catch it. And the butterfly will stick out its tongue to him. Then he makes a face. In general, an indecent word will be shouted. In the end, the butterfly got tired of teasing the king, and it flew away into the thicket of the forest.
And the king laughed and rode on. Suddenly a little bunny jumped out to meet him. The king was frightened by surprise and stood in the ostrich pose, head down, that is. The bunny was surprised by such a royal pose. Trembling with fear. The bunny's legs began to shake. And the bunny screamed in an inhuman voice.
And just then the fox was returning from a night shift at the poultry farm. I took the chicken home. The fox saw what was happening on the path, and in surprise he let go of the chicken. And the chicken turned out to be impudent. She cackled with delight and slapped the fox so hard that she grabbed her head in pain.
And the chicken jumped up to the king and pecked him in a soft place. The king jumped in surprise and straightened up, and the bunny, out of such fear, jumped onto the fox’s paws and grabbed her by the ears. The fox then abruptly took a course into the forest thicket.
And the king and the brave chicken still jumped along the path cheerfully and positively. And then. Holding hands. They galloped off in the direction of the royal palace. What do you think will happen next with the chicken? Well, I don’t know that, but I think he’ll definitely pour it for her. As do all the guests present.
Presenter: So this is the end of the fairy tale, and whoever listened... he pours!!!

Distribute roles (animate and inanimate: kitten, magpies, piece of paper, wind, porch, sun, etc.).
Text of the skit (read by the presenter, the participating actors portray):
Today the kitten left the house for the first time. It was a warm summer morning, the sun was spreading its rays in all directions. The kitten sat down on the porch and began to squint in the sun. Suddenly his attention was attracted by two magpies that flew in and sat on the fence. The kitten slowly crawled off the porch and began to sneak up on the birds. The magpies chirped incessantly. The kitten jumped high, but the magpies flew away. It didn't work out. The kitten began to look around in search of new adventures. A light breeze blew and blew a piece of paper along the ground. The paper rustled loudly. The kitten grabbed her, scratched her a little, bit her and, not finding anything interesting in her, let her go. The piece of paper flew away, blown by the wind. And then the kitten saw a rooster. Raising his legs high, he walked importantly through the yard. Then he stopped, flapped his wings and sang his sonorous song. Chickens rushed to the rooster from all sides. Without thinking twice, the kitten rushed into the flock and grabbed one hen by the tail. But she pecked the kitten so painfully that he screamed a heart-rending cry and ran back to the porch. Here a new danger awaited him. The neighbor's puppy, falling on its front paws, barked loudly at the kitten, and then tried to bite it. The kitten hissed loudly in response, released its claws and hit the dog on the nose. The puppy ran away, whining pitifully. The kitten felt like a winner. He began to lick the wound caused by the chicken. Then he scratched his hind paw behind his ear, stretched out on the porch at his full height and fell asleep. We don’t know what he was dreaming about, but for some reason he kept twitching his paw and moving his mustache in his sleep. Thus ended the kitten’s first acquaintance with the street.
(Applause.)


****************************
BRIDGE

I felt that Kudryavtsev could not forget my ill-fated shot and treated me with distrust. Even a night spent in secrecy could not convince him of my steadfastness and restraint.
Before meeting Kudryavtsev, I had no idea that I was so imperfect as a soldier: I couldn’t wrap my footcloth properly, and out of absent-mindedness, when commanded “to the left,” I turned to the right, and I didn’t use a shovel at all. Kudryavtsev was very critical and distrustful of my ability, while reading a newspaper, to accompany what I read with lengthy comments and explanations; I had not yet joined the party, and he was always expecting some kind of trick from me, an intelligent young man who, for some unknown reason, had joined the fierce struggle for the Soviets that was flaring up in the country. I often caught Kudryavtsev’s attentive gaze on me. “You are untrained, and for the first time I forgive you,” this look seemed to say. “But next time I will shoot...” And I promised myself that I would set an example of discipline. Soon chance gave me this opportunity.
By this time we were taken to guard the West Ural Bridge railway, which connected Nyazenetrovsk with the Kuzino station, and therefore with Yekaterinburg, Perm and all of Russia. Not only reinforcements came from there, Moscow and St. Petersburg flooded us with newspapers, literature...
I stood at a post in the middle of the railway bridge. My task was to check the passes of people crossing from one bank to the other. I was lucky - the whites opened fierce fire on my bridge from several guns. The shells fell into the water almost under the very bull on which I was standing, and foam tornadoes flew up, showering me with splashes. One shell hit between two bulls, and part of the bridge collapsed into the water with a ringing and roar that drowned out everything in the world. Another shell hit the upper ceiling of the bridge, several cast-iron beams fell not far from me, and I was deaf for some time from this roar and clang.
The feeling I experienced cannot be called fear. I already considered myself dead. I looked at the dark pine forests with red trunks in the distance, at the lush green meadow with haystacks, very close, by the river, as if from another world. But one thought continued to haunt me from the very beginning of the shelling - that I would not leave my post. I was sure that Kudryavtsev, who was my guard commander, saw me and approved. It seemed to me that I stood for a very long time, but it turns out I stood for only a few minutes, exactly as long as it took for the guard commander to reach me. I looked at Kudryavtsev’s face in a daze and did not understand what he was saying until he forcefully shook me by the belt.
- Let's go! - the op shouted.
We had barely left the bridge when another shell hit the bull on which I was standing with a roar. Kudryavtsev shook me by the belt again - he led me like this all the time - and laughed.
- Do you hear it? - he said. “Why didn’t you go?” After all, because of you, I almost got hurt... - I sighed and looked at him. “You’re doing well,” he said seriously, “you showed knowledge of the rules and fearlessness.” You can praise him for this. However, it’s a thing of the past, but I want to make you use your brain. From the moment the bridge was broken, please tell me what was the point of you standing there? Check passes? If you had been smart and not waited for me to take you off, but left on your own, I wouldn’t have said a word to you...
After this incident, Kudryavtsev sharply changed his attitude towards me, began asking me questions, telling me about himself. Even then he firmly called himself a Bolshevik, although he was not a member of the party.
I remember one of our conversations. I told him how I would live after we defeated the whites. I said that I would become a writer, depict the global brotherhood of peoples and the harmony of labor and nature... All great thoughts, and I spoke about them with fervor. Kudryavtsev listened, remained silent and stirred the coals in the fire.
“You’ve set yourself a good goal,” he said. “It’s clear you have a great path, Libedinsky...”
I didn't mind.

Role-playing games for children - these are games that have a proposed scenario or plot, which is determined by the players themselves. Roles are assigned to the participants.

Fairy tale "Turnip"

7 participants are selected. The roles are given out: Turnip, Grandfather, Grandmother, Granddaughter, Bug, Cat, Mouse. It’s great if you have headdresses and masks.
Texts (written in advance on thick paper and distributed to participants) for characters:
The turnip says the phrase: Both-on! Grandfather: Oh, I'm tired! Grandma: I'm coming, I'm coming! Granddaughter: Come on! Bug: My life is a dog, woof-woof! Cat: I understand you, meow-meow! Mouse: Well, damn it, give it to me!
The presenter tells the fairy tale “Turnip”. The actors come out one by one from behind the scenes. As soon as the presenter mentions this or that character, he pronounces his text.
For example: the presenter begins: “Once upon a time there was a grandfather.” Grandfather says: “Oh, I’m tired!” Presenter: “He planted a turnip.” Turnip: “Both-on!” etc.
The presenter tells the entire fairy tale to the end, and the actors’ task is to react to the text of the fairy tale in a timely manner and say only one phrase - their text.

Fairy tale "Kolobok"

7 participants are selected. The principle of the game is the same as in the previous version.
Grandfather: I want to eat something!
Grandma: But there’s no flour!
Kolobok: Here I am!
Hare: How round you are!
Wolf: Kolobok, Kolobok, I'll eat you!
Bear: Move away, little fry!
Lisa: I can't hear so well!
Fairy tale text: Once upon a time there lived a grandfather (I want to eat something!) and a grandmother (but there is no flour!).
Once I was sitting on the stove, and then my grandfather said (I want to eat something!). And the grandmother answers him (but there is no flour). No, says the grandfather (I want to eat something). The grandmother went (and there was no flour) and scraped the bottom of the tree, swept the barn with a broom and scraped up a little. The grandmother kneaded the dough (but there was no flour), heated the stove and baked a bun (and here I am). The grandmother took (and there was no flour) the bun (here I am) and put it on the windowsill to cool. And the bun (and here I am) jumped out the window and rolled along the path, and beyond the outskirts. The bun is rolling (and here I am), rolling, and towards it is a hare (how round you are). The bun looked (here I am) at the hare (how round you are). And he looked at such a miracle and said the hare (how round you are) turned around and took off. And the bun (and here I am) rolled on. And towards him Gray wolf(Kolobok, Kolobok, I will eat you). The bun got scared (here I am) and rolled in the other direction. And towards him is a clubfooted bear (go away, small fry). But the bun is not inferior (here I am). The bear saw the round monster and got scared (go away, small fry) and ran away. Only the bun shouted after him (and here I am). And out of nowhere, a sly fox appeared from the forest (I can’t hear so well). And then our main character I realized that the fox (I can’t hear so well) couldn’t hear well and then the bun said loudly (here I am). And the sly fox (I can’t hear so well) got even closer to the kolobok (and here I am). But then, out of nowhere, a grandfather appeared (I want something) and a grandmother (but there is no flour) and were delighted with their newly-baked granddaughter (and here I am). This is the end of the tale, and well done to those who listened.

Role-playing game Birds

From 5 to 15 people can take part in the game. Before the game starts, we determine who wants to be which bird. We make nests from cardboard and scatter them on the floor, or chairs can serve as nests. There should be one less nest than there are participants. To make the game more spectacular, you can make wings for your hands. As soon as the music starts playing, the “birds” scatter throughout the “forest”. The music suddenly stops, and the birds take their place in the empty nests. Those who did not manage to take a place in the nest are eliminated from the game. You can also introduce a “marten” into the game, which will steal nests and move them from one place to another, thereby complicating the game - the emotional effect of this is enhanced.

Role-playing gameJourney

The whole class or group can take part in the game. The “driver” of the train and the route are chosen - where we are going: to Crimea, Turkey, India, etc. Children become a train - they take the person in front by the shoulders, music sounds - “lambada” and the train sets off. At each station, the train must be re-coupled (the presenter-dispatcher announces which parts of the body we grab the person in front: waist, nose, ears, knees) - we change the position of our hands and move on. On the way there is an obstacle - a tunnel (a large elastic band stretched and twisted crosswise in front of the train). Children enjoy crawling through the gum web.

A gameBubble

Children they join hands in a round dance.
At the leader's command:
Blow up the bubble
Blow up big
Stay like this
Don't burst!
They move apart, holding hands. After the presenter said: “the bubble has burst,” the children squat down and wait for the leader’s words to be repeated, then they join hands again and repeat everything. As an option: children do not throw their hands and say: Shhhhhh! - converge to the center of the circle.

Role play Paints

At the very beginning, you need to decide what colors (participants) the painter (presenter) will paint with. We choose colors and start playing: the painter stands in front of the palette (participants standing in one line). When the presenter says: “Pencil” - the participants raise one hand up, “Brush” - begin to wave their arms to the sides, “Paints” - cover their faces with their hands. At the word “palette” all the colors raise their hands up. When the “painter” names any paint, she must quickly run up to the leader and touch him with her hand. The presenter changes teams very quickly. The task is not to hesitate and to respond correctly and in a timely manner to the “painter’s” cues. Anyone who mixed up the teams or was too slow leaves the game.
For older children, you can come up with a story with words, as in the first and second games.

Story gameCinema

The game takes place between two teams. The task is given by the “director” - the presenter: it is necessary to act out the plot of a famous feature film. Two teams are given time to prepare at the same time. After the “film is shot,” one team shows it to the other. She, in turn, guesses what movie they watched. Then the second “troupe” performs.

Guess the melody

The presenter, the “composer,” invites one participant, the “musician,” to join him. She whispers the name of a famous song in his ear. Or lets you listen to it on headphones. Then the “musician” must “clap” the melody of this song with his hands. Listeners must guess it.

Is the star weak?

This game is a parody of famous “star groups” and pop singers. Songs of your favorite stars are recorded. Elements of clothing, wigs and attributes of the artists you are going to parody are being prepared. You can use lollipops as microphones. The room in which the concert will take place is divided into an auditorium and a stage. The music sounds - and you are at a concert of pop stars.

Plot - role-playing game Mother hen and chicks

The whole group or class can take part in the game. The leader - the "mother hen" - leads the process. A rope is tied between two chairs at a height of 40-50 cm. On one side there are “chickens” who went out into the yard to peck some grains, on the other side - behind the fence a danger awaits them - a fox. The “mother hen,” while there is no danger, invites the chickens to nibble the grass behind the fence. At the same time, she says: “Ko-ko-ko” and all the “Chicks” rush under the rope to get out to the other side. The carefree walk is interrupted by the presenter’s signal: “Fox!” And all the “chickens” quickly run away under the rope.

Where do role-playing games begin?

It is adults who help the child understand the world, the objects and phenomena around him. Parents, grandparents, nannies and governesses teach children many skills: dressing, eating independently, washing, reading, counting and much more.

Play children's games also, especially in younger age, adults teach. First, the child learns the simplest children's games: with a rattle, with a doll, with soft animal toys. The baby learns to “communicate” with toys, showing imagination.

As children grow older, they receive and absorb more information about different professions And different types activities. They begin to understand how a janitor sweeps the street, how a salesman counts customers in a store, how a doctor treats people. First of all, the child copies the actions of those people who surround him - his family.

When a child starts playing role-playing games, he imagines that his toys are adult objects. In addition to suitable toys, it is also necessary that the child wants to show his independence, and that excessive care does not interfere with this. Within reasonable limits, the child should express his individuality and his opinion.

If you notice that your child does not like role-playing games, or he plays them poorly, perhaps it’s time to think about whether you are suppressing his independence too much. It is this quality that allows for better development of a child’s creative inclinations. Because children's role-playing game is, first of all, an independent activity of the baby!

How nice it is to gather in a large and noisy company with loved ones! But in such meetings there always comes a moment when everything tasty has already been eaten, the strong drink has been drunk and all the news has been told. That's when it's time for fun. Impromptu fairy tales for fun company - The best way fool around collectively, enjoying the holiday.

Instant fairy tales are dramatizations that do not require participants to learn words and mise-en-scène. Under the voice accompaniment of the host, guests make some sounds, words or perform simple movements at the moment when they hear the mention of the character assigned to them. Facial expressions and gestures are also used. The goal of each participant is to outplay the others or at least not fail in their mission. As a rule, there are many heroes of such fairy tales - enough for all the guests. If the company is very large, then all the nouns from a particular story become the active characters.

This pastime is interesting for people of all ages, from young to old. It’s not for nothing that there are even adaptations of impromptu fairy tales for a cheerful company on the occasion of the 50th or 60th anniversary! The main thing is to have fun:

  • amused participants and observers;
  • did not offend anyone present;
  • it wasn't too long.

A hospitable host who invites guests into his home has two tasks - to feed him delicious food and to entertain the company cheerfully. They are equally important, so without a well-thought-out cultural program, delicacies alone are not enough. In this regard, it would not be amiss to remember that the best impromptu performances are carefully prepared entertainment. Of course, to stage “quick” fairy tales, printouts of the script for the actors and complex scenery are not required. But here are some nuances you will have to take care of in advance:

  • print or write the text of a fairy tale for the presenter (that is, for yourself);
  • It is better to work out the plot in advance, identifying important accents (names for characters are required to avoid confusion among tipsy guests, semantic pauses are necessary, etc.);
  • make cards with the names of the characters and an indication of what they should do;
  • prepare attributes for the heroes (nothing fancy - just hats, toy crowns, animal masks, etc.).

Criteria for selecting instant stories

There are no principles as such for choosing a fairy tale for dramatization. There are only a few recommendations based on the experience of lovers of this type of entertainment:

  • the plot should be as simple as possible;
  • you can “add” the characters yourself if there are not enough for all the guests;
  • You shouldn’t take on long narratives: the actors and the audience will get bored. Better choose two short fairy tales.

And one more thing: 80% of the success of the dramatization depends on the narrator, so you need to read extremely expressively and emotionally.

Scenarios of impromptu fairy tales for different occasions

The good thing about improvisational stories is that absolutely any story can be remade for a specific occasion. However, there are ready-made options.

The impromptu fairy tale "Turnip", played out by role, will be a wonderful entertainment for a cheerful company at a birthday celebration. The essence of its production is that when a particular character is mentioned, the participant must utter a certain line or word.

Characters:

Turnip - "Wow"

Grandfather - “Shall we celebrate?”

Baba - “Oh-oh”

Granddaughter - “I’m not in shape yet”

Zhuchka - “Happy Birthday”

Cat - “She’s a spy!”

Mouse - “I warned you!”

The presenter tells everyone a well-known plot, the actors speak their lines, complementing the image with gestures and facial expressions.

Impromptu fairy tales for a cheerful company with words can be replaced with dramatizations in which you need to show the character only with gestures and facial expressions - as, for example, in the scene “Scrambled Eggs”.

Characters:

Girl (flirty)

Hot frying pan (sizzling)

Butter (cowardly and soft)

Door (looks appraisingly at what is happening)

Water (slow but kind)

Eggs (all guests).

Presenter: “Asya wanted to eat. I went to the kitchen and decided to make scrambled eggs. I took a frying pan, chicken and quail eggs. I tried to find it in the refrigerator butter, but it was hiding. Asya heated up the frying pan and hit the eggs on the side. They began to hiss, turn green, and smell bad. The frying pan got angry and began throwing the remaining eggs. Asya’s balls were smeared, she squealed and ran to the water tap. Yeah, there’s no time for food here!”

Instant performances of impromptu fairy tales for a cheerful company of colleagues differ in the format of the performance, so it is better to choose something neutral for staging. For example, “Agitspektakl”.

Characters:

Machine gunner Anka

hungry sailor

blind switchman

fireman-grandfather

young train driver

White Guard lieutenant.

Presenter: “We present to the attention of the esteemed public the propaganda performance “How the Zvezda train was saved.”

When introduced by the presenter, the characters become a semicircle.

Presenter: “Due to the fact that the armored train was urgently sent for repairs, the performance is cancelled.”

The participants bow and leave amid applause.

As an option for a more verbose production, we can offer the dramatization “About Work.”

Characters:

Man (“I’m your sexy macho”)

Work (“Lies!”)

Wife (“Where have you been?”)

Girl (“I am your joy”)

Flowers (“Lucky Surprise”)

Family Friend ("Hang in there, I'm with you")

Presenter: “The man was late at work. I decided to buy my wife flowers on the way so that she wouldn’t think that the girl had him. On the way I met a family friend and completely forgot about the flowers. I came home, my wife started a scandal, she said that the man was seen with a girl. He makes an excuse that he was with a family friend, and before that he was late at work. The man’s wife sent him to buy flowers, and he again met a family friend. They drank and bought flowers from a girl at a stall. A man came home, gave his wife flowers, and she got angry that the man was drunk and kicked him out. The man came to work, slept through it, and went to his wife in the morning to reconcile. He bought flowers again, his wife forgave him, and then a family friend and his girlfriend came to visit.”