Ivan Andreevich Krylov is a famous Russian writer and fabulist. His work influenced the development of the Russian language; his works were widely quoted and became popular expressions and proverbs. His fame can be compared with the popularity of Pushkin and Gogol.
Childhood
The family into which the future fabulist was born in 1769 on February 2 (13) was far from rich. Father, Andrei Panteleevich Krylov, was a military man, had an officer rank, and took part in hostilities during the Pugachev uprising. At first, the family lived at their father’s place of service in the small town of Yaitsky. After retiring, Andrei Panteleevich moved his family to Tver, where he entered the civil service in the judicial department.
Parents did not have funds for their children's education. But the future writer was distinguished by great curiosity and a thirst for knowledge. Thanks to self-education, he became one of the most enlightened people of that time. Wealthy neighbors, the Lvovs, allowed him to attend French lessons with their children. Krylov quickly mastered the spoken and written languages, and subsequently mastered two more: Italian and German. I learned to play the violin on my own, mastered music theory and understood mathematics.
Adolescence and youth
After the death of his father in 1778, the family finds itself on the brink of poverty. Ivan Krylov joins the department where his father worked. In search of a better life, the family moved to St. Petersburg, where the future writer continued to serve in the public service. In the capital, he gets acquainted with cultural life and visits the theater.
The Lvovs, with whom the Krylov family moved to St. Petersburg, led an active cultural life and tripled their receptions. Here Ivan Andreevich Krylov met the leading cultural figures of the country. The poet Derzhavin began to patronize the young man.
At the age of 19, Krylov resigned from public service, deciding to engage in literary work.
First steps in literature
His passion for theater was not in vain for the young man. Krylov began writing plays in 1872. The most famous of them: the comedy “Coffee Shop”, the tragedies “Cleopatra”, “Philomena”. If the first works are based on historical and mythological events, then the later “Mad Family” and “The Writer in the Hallway” ridicule the morals of their contemporaries. In the comedy "Pranksters" he caricatured the famous playwright of the time, Prince. As a result, he was removed from theatrical life.
Publishing activities
Since 1789, Krylov began to engage in publishing. The first magazine was “Spirit Mail,” where modern life was satirically described in letters between gnomes and other fairy-tale creatures. As a result, a few months later the magazine was closed at the request of censorship.
In 1791, Krylov and his companions opened their own publishing house. Creates two more magazines: “Spectator” and “Petersburg Mercury”. Although Krylov moved from satire to softer moralizing, both publications were banned. According to some evidence, the Empress herself, Catherine II, spoke with Krylov.
Disgrace and return to literature
After the events with the magazines, Krylov first leaves for Moscow, then enters the service of the family of Prince Sergei Fedorovich Golitsyn. Voluntarily accompanies him in exile until 1801.
After Alexander I came to the throne, Krylov, together with Prince Golitsyn, who was appointed governor-general, moved to Livonia.
The writer's literary views are undergoing a crisis. Krylov loses faith in the power of satire, in the opportunity to change society for the better. He abandons bookish ideals in favor of simple national values.
In 1801, Ivan Andreevich Krylov moved to the capital, where he took up drama. His plays were a great success, the most famous being “Pie”, “Fashion Shop”, “Lesson for Daughters”. The author raises questions of the cultural life of society: the struggle between Western and Old Russian lifestyles, the emergence of sentimentalism.
Krylov again entered the public service, and since 1812 he has worked in the Public Library.
In 1805, Krylov’s first fables were published - translations from La Fontaine’s work: “The Oak and the Cane”, “The Picky Bride”. Krylov remained an adherent of classicism, who did not accept the emerging trend in art, sentimentalism. At the same time, his work is characterized by a truthful depiction of reality. His fables are the foundation of the future realism of Pushkin and Gogol.
World of fables
Krylov's creative heritage is more than two hundred fables. The last edition of 1843 consisted of nine books. The writer borrowed plots from La Fontaine, Aesop, Phaedrus. At the same time, the peculiarities of the language and the processing of images make his works original. Krylov's fables have the following features:
- Closeness to everyday life. If earlier the fable was perceived as dry moralizing, then Krylov’s work is a mixture of worldly wisdom and common sense.
- Realism of images. In the heroes of the fables, the author expressed the peculiarities of the national character.
- A living language, with colloquial, colloquial expressions. Many contemporaries condemned the low style of fables. But it was precisely this feature that made Krylov’s works popularly loved.
- The poetic meter is free iambic, bringing the language of fables closer to colloquial speech. An exception is the fable “The Dragonfly and the Ant,” written in trochee.
Character and lifestyle
During his lifetime, Krylov began to be called the grandfather of Russian literature. He led a measured lifestyle, not hiding his “vices” - an indifferent attitude towards politics, sloppiness, laziness. There were legends and anecdotes about him, however, always with a kind attitude towards the writer. At the end of his life, he enjoyed universal respect and was recognized by the government and all literary circles.
The fables have been translated into more than 50 foreign languages. And in our time they remain relevant and are studied in schools. Feature and animated films are created based on the fables.
Familiar to many from childhood. Most people know him, first of all, as a talented fabulist, but in addition, he was a wonderful writer who also created tragedies and comedies. At the same time, he was also a translator, journalist, and state councilor at the Imperial Academy of Sciences.
Krylov Ivan Andreevich: biography for children is the most important
A short biography of Krylov, which is studied in grade 3, begins with the birth of the writer. This happened in 1769. His father was a military officer; although his mother was uneducated, she was naturally endowed with intelligence, so she oversaw her son’s education. The family did not live richly.
Childhood and youth
The future writer spent all his young years constantly moving and, after his father retired, settled in Tver.
If we talk about education, Krylov had a meager education, but this did not prevent Ivan from becoming one of the most enlightened people of his time. Thanks to his natural abilities, love of reading, perseverance and perseverance, the future writer studies independently and is helped in this by his father’s large home library. Krylov studies many sciences with the children of the writer Lvov, to whom Ivan will later show his poems. He, in turn, will give them high praise, inspiring the writer to create. So, thanks to self-education, Krylov studies Italian and German, arithmetic, literacy and other sciences. At the same time, he really likes to attend folk festivals, where he learned to speak the spoken language. The author will use it in his work.
At the age of nine, the boy loses his father. At this time, the mother is trying to achieve a pension, and the future writer has to work as a scribe to earn a penny.
Since the mother did not achieve a pension in Tver, the family moved to St. Petersburg, where they tried to get a pension there, but also without success. However, here Ivan manages to get a seat in the Treasury Chamber. From that moment on, he worked as a clerical clerk.
Literary creativity
It was in St. Petersburg that Krylov began to become interested in literature and theater. It was here that he wrote the libretto for the first time. He was 16 years old then. Later he would write his first tragedies and comedies. Now the writer's name is well known.
At 23, Ivan is the owner of a printing house where he publishes the Spectator magazine. He writes his works there. In a year, due to pressure from the authorities, the magazine will close.
Since 1805, Krylov has been translating La Fontaine's fables, after which Krylov tries to write his own fables, and then the writer realizes that it is the fable genre that he likes most. From that moment on, he begins to get involved in writing fables, becoming. In his works he ridicules all the vices and shortcomings of people.
In 1809, the first book of fables was published, which brought fame and fame to the author. In general, the writer will write more than two hundred fables during his life.
From 1810 until his release in 1841, Krylov worked at the Imperial Public Library.
In 1844, Krylov’s biography was interrupted, because the fabulist was overtaken by death. He dies of pneumonia.
If we talk about interesting facts from the life of Krylov, then I would like to say that Ivan Krylov liked to write fables more than anything, which is what he did, publishing nine collections.
Speaking about the writer’s personal life, it was not successful. He never started a family and had no children. Although, they say, the writer had an affair with the cook, and also had an illegitimate daughter. As evidence of this was the fact that she accepted a girl into her family after the cook died. And later the writer leaves all his fortune and the right to publish his works to the husband of this same Alexandra.
The writer’s date of birth was February 2 (in the era of the new revival, February 14) in the city of Moscow in a poor family. His father, named Andrei Prokhorovich Krylov, achieved promotion to the position of captain on his own merits, which is very commendable on his part, and through this they somehow provided for themselves. When the son turned 10 years old, he was left without a father, and the family found themselves without money to support themselves - this was a grief for them in those days.
The mother wanted to receive a pension and in the current difficult situation they had to go to St. Petersburg in 1782 in order to achieve it in a variety of ways, which referred to her husband’s service in a significant position and in the understanding of her hopelessness, and, in the end, the attempts turned out to be successful, but this was not enough; they had to work in rich families for pennies.
During these times, the boy worked as a clerk in the Tverskoy court, helping his mother. Afterwards, he decides to leave there and move to the capital, where he finds a place in the office, only he is attracted not by the type of activity he does, but by the urge to study literature and visit the theater. In the period from 1786-1788, Krylov wrote such works as “Philomela”, “Cleopatra”, “Mad Family”, “Pranksters” and thanks to his work, he becomes most famous.
From 1791 - 1801, he decided to take a break from the profession of “writer” and went on a journey, where he visited cities such as Tombov, Saratov, Nizhny Novgorod and Ukraine, but at the same time he still composed novels and short stories, only they began to be published much more less often. Later it happened that Catherine II died and Krylov was given the opportunity to serve Prince S. Golitsyn, whom he helped in teaching his children and served as a secretary in his work.
From 1801 to 1806, he wrote the comedy “Pie”, “Fashion Shop”, “Lesson for Daughters”, and of course the well-known and beloved fables, of which there were more than 200, written in 9 parts, as evidenced by his increased interest in this area. Each fable carries a certain meaning that teaches people not to repeat mistakes for which they later have to answer.
He loved collecting books, which led to the formation of his own library. At a young age, everyone knew him as a satirist writer, as well as the creator of such a magazine as Spirit Mail.
His attitude towards everyone was indifferent, he was not angry with anyone, and did not feel pity. According to official data, all relationships with the female sex were not legalized by marriage, only at that time there were rumors that his cook gave birth to a daughter, whom he raised himself after the death of her mother. One can note the writer’s increased interest in gambling, in which he both won and lost quite good sums of money, loved to lie for a long time on his favorite sofa, and, probably, the most important thing is that he was distinguished by an increased appetite for food, that is, his praised as a glutton.
Krylov died on November 9, 1844, when he was 75 years old. There are rumors that the cause is overeating, but in fact it is due to pneumonia. The funeral was organized in St. Petersburg.
The attitude of the Russian people towards the great fabulist Ivan Andreevich Krylov (1769-1844) has always been extremely warm. They called him “Grandfather Krylov,” thereby emphasizing respect and love for this extraordinary man. N.V. Gogol called Krylov’s fables “The Book of Folk Wisdom.” But the great fabulist created not only fables; he showed his talent in a wide variety of literary genres. A brave satirist, a subtle lyrical poet, a witty author of funny comedies. This was Krylov at the end of the 18th century.
This period of creative activity prepared the writer for the field of fabulist, which brought him well-deserved fame. At the same time, the 80-90s of the 18th century can be considered as an independent stage in the creative formation of Ivan Andreevich. He, as a writer, took a worthy place in the literary life of those years, and his early works are examples of biting satire and still arouse keen interest among readers.
Biography of I. A. Krylov
Ivan Andreevich Krylov was born on February 2, 1769 in Moscow in the family of a modest army officer. His father, Andrei Prokhorovich Krylov, served for a long time as an ordinary soldier, then as a company clerk, and eventually rose to the rank of sergeant. He distinguished himself during the suppression of the Pugachev uprising and retired in 1774 with the rank of captain.
After his resignation, he was appointed to the post of chairman of the Tver provincial magistrate. So little Krylov ended up in Tver. He was raised by his mother. She was, according to the fabulist himself, a simple woman without education, but naturally intelligent. At the age of 10, the boy’s father died, and the family was left without any means of subsistence.
The boy's mother, having become a widow, sought a pension, addressed a petition to the highest name, and begged him to condescend to her poverty and take into account her husband's long and blameless service. But the pension was denied, and Krylov’s mother began to earn money for her daily bread by performing services in rich houses and reading the psalter for the dead.
The youngest Krylov was assigned as a sub-clerk to the same provincial magistrate where his father served during his lifetime. But in the winter of 1782, mother and son moved to St. Petersburg. There Krylov was taken to the office of the St. Petersburg Treasury Chamber. The family owed this to the merits of their deceased father. Although the widow was denied a pension, the state showed participation, and the son of the honored captain was given a more or less decent job.
Creativity in your youth
In the capital, Krylov became interested in theater. At first I simply went to plays as a spectator, and then decided to try my hand at drama. At the age of 14, he wrote a comic opera in verse, “The Coffee House.” Then he wrote tragedies from ancient Greek life: “Philomela” and “Cleopatra”. In 1786-1788, the young man wrote a number of comedies and met such prominent actors as Dmitrievsky, Rykalov, Plavilshchikov. But Krylov's creations were not staged.
Disappointed in the opportunity to see his plays on stage, Krylov broke with the theater and decided to take up journalism. In 1788, he began collaborating with the Morning Hours magazine, which was headed by I. G. Rachmaninov. The type of activity of the future fabulist in his new field was very diverse. He proved himself both as a poet, and as a satirist, and as a journalist. The first fables were published in the magazine “Morning Hours”: “The Shy Gambler”, “The Peacock and the Nightingale” and a number of others.
Rachmaninov, under whom Krylov worked, was close to the radical intelligentsia grouped around Radishchev. And this affected the activities of Ivan Andreevich. In January 1789, he began publishing the magazine “Mail of Spirits”, the main purpose of which was to expose the noble society of that time.
Krylov, thus, acted as a continuer of the traditions of Radishchev, Novikov, Fonvizin. Spirit Mail became a one-author magazine. It displayed correspondence between fictitious “spirits” and the equally fictitious “Arab philosopher Malikulmulk.” Such satire made it possible to speak quite transparently about the shortcomings of the existing system.
But the magazine existed only until August 1789. The Great French Revolution led to increased reaction in Russia. This made further publication of Spirit Mail impossible. However, Krylov, together with actor Dmitriev, playwright Plavilshchikov, and young writer Klushin, organized the publication of a new magazine “Spectator”. It began publication in 1782.
In “The Spectator” Ivan Andreevich published such works as “Kaib”, “Nights”, “Equivalence in memory of my grandfather”. And these creations, which came from the pen of the future fabulist, largely continued and deepened the satirical motifs of “Spirit Mail”.
Catherine II died in 1796, but the government’s strict policy regarding literature did not change. The new Emperor Paul I intensified the persecution of free thought. He ordered the closure of private printing houses and established strict censorship over the press.
In the fall of 1797, Ivan Andreevich Krylov settled in the village of Kozatsky, Kyiv province. This was the estate of Prince S. F. Golitsyn, who fell out of favor with Paul I. The mood of the future fabulist was extremely oppositional. This was evidenced by the buffoon comedy “Podshchipa”, written in Kozatsky. It was an evil parody of the existing order in the country. It was published for the first time only in 1871.
Ivan Andreevich's stay in Kozatsky ended with the death of Emperor Paul I. In the fall of 1801, S. F. Golitsyn was appointed governor general in Riga. Krylov went with his patron as a secretary. And in 1802, the second edition of “Mail of Spirits” was published in St. Petersburg and the comedy “Pie” was staged.
Creativity in adulthood
Soon Krylov retired and left for Moscow. In the January issue of the magazine “Moscow Spectator” for 1806, the first fables of Ivan Andreevich were published, which determined his future creative path. By the beginning of 1806, the aspiring fabulist arrived in St. Petersburg. He lived in this city for all subsequent years.
His life returned to a monotonous and peaceful course. He takes an active part in the capital's literary life and becomes a member of literary and scientific communities. He became closely acquainted with the most famous writers of the time. Lives next door to the translator of the Iliad N. I. Gnedich and is an employee of the Public Library.
Krylov becomes close to the President of the Academy of Arts A. N. Olenin. In those years, famous scientists, writers, and artists gathered in the Olenins’ house. There were Shakhovsky, Ozerov, Gnedich, Batyushkov, later Pushkin and many other popular people. All literary news, newly appeared poems, information about interesting books, original paintings immediately entered the house.
With the coming to power of Alexander I, liberal trends gained strength in the country. As a result of this, Ivan Andreevich Krylov returned to literary activity. Along with fables, which became his main activity, in 1806-1807 such comedies as “Fashion Shop”, “Lesson for Daughters”, “Ilya the Bogatyr” were written. They were a success with the audience and were imbued with love and respect for Russian national culture.
They depicted the ignorant provincial nobility in a vitally truthful, cheerful, apt manner. It revered everything foreign, and as a result of its gullibility, it allowed itself to be robbed and fooled by foreign scoundrels. But it was not comedies, but fables that brought Krylov national fame.
In 1809, the first book of fables by Ivan Andreevich was published. And since then, for a quarter of a century, he devoted all his energy to writing fables. In 1811, he was elected a member of the “Conversations of Lovers of the Russian Word,” which united writers of the older generation. At this time, Krylov no longer looked like that daring rebel who dared to hit the empress herself with arrows of satire.
He becomes sedate, unhurried, withdraws into himself, and those around him begin to consider him eccentric. And how can one not count it if Ivan Andreevich Krylov could now sit for hours at the window in his room with a pipe in his teeth, thinking about the course of human life. Legends began to circulate about his absent-mindedness and laziness. They said that he once appeared at the palace in a uniform, the buttons on which were wrapped in paper by a tailor. And Pushkin, who knew Krylov closely, wrote about him at the time as a lazy eccentric.
However, Pushkin’s friend P. A. Vyazemsky did not at all consider Ivan Andreevich an eccentric. He perspicaciously wrote: “Krylov was not at all the absent-minded and simple-hearted La Fontaine that everyone had long considered him to be. In everything and always he was extremely smart. Fables were his calling. In them he could say a lot without pretending, and under the guise of animals, touch on issues, circumstances, personalities that he did not have the courage to directly approach.”
I. V. Turgenev, who met the famous fabulist in his youth, described his appearance this way: “I saw Krylov only once at an evening with a St. Petersburg writer. He sat motionless between two windows for more than 3 hours and during this time he did not say a word. He was dressed in a spacious, worn tailcoat, a white neckerchief, and boots with tassels clinging to his plump legs. He rested his hands on his knees and never turned his head. Only the eyes moved under the overhanging eyebrows. It was impossible to understand whether he was listening or just sitting there.”
This was Ivan Andreevich Krylov, the great Russian fabulist. In his youth, he established himself as a rebel, boldly attacking those who held power, and in his mature years he hid, assuming the image of a lazy eccentric. He began to express the truth about the world around him through fables, skillfully hiding his true thoughts and feelings.
At the end of life's journey
In 1838, a solemn celebration of Krylov took place on the occasion of the 50th anniversary of his literary activity. At this meeting, V. Zhukovsky described Ivan Andreevich’s fables as poetic lessons of wisdom that will reach posterity and never lose their strength and freshness. And the reason for this is that they turned into folk proverbs, and they always live with the people.
The great fabulist worked at the Public Library for about 30 years. He retired in March 1841 at the age of 72. Settled in a quiet apartment on Vasilyevsky Island. The writer's last work was the preparation for publication in 1843 of a complete collection of his fables. Ivan Andreevich Krylov died on November 9, 1844 at the age of 75.
The cause of death was bilateral pneumonia. The funeral was extremely magnificent with a large crowd of people. The great fabulist wrote a total of 236 fables, which were included in 9 collections during his lifetime. They were published from 1809 to 1843. Many expressions from fables have become catchphrases.
Ivan Krylov is a Russian publicist, poet, fabulist, publisher of satirical and educational magazines. He is best known as the author of 236 fables.
Krylov’s biography has been very popular for many years, because many of his quotes have become popular catchphrases.
Please note that we have already covered the most. Here you will get acquainted with the features of his work.
We hope that this material will be useful and interesting not only for schoolchildren in grades 3, 5 or 6, but also for all inquisitive readers.
So here's a short one biography of Ivan Krylov.
Brief biography of Krylov
Ivan Andreevich Krylov was born in February 1769 in the family of a poor army officer.
The father of the future fabulist, Andrei Krylov, distinguished himself during the suppression of the Pugachev rebellion, but did not receive any awards.
Having moved to Tver with his wife and two sons, he took the position of chairman of the magistrate, which brought the family an extremely meager income.
Krylov's father died with the rank of captain in 1778. At that time, Ivan was only 9 years old.
Childhood and youth
After the death of their father, the life of the Krylov family became even poorer. Having inherited a huge chest of books from his parent, Ivan re-read them with enthusiasm. This allowed him to temporarily forget about the hardships of life.
Perhaps Krylov would never have received an education due to poverty if it were not for the kind neighbors who allowed him to listen to the lessons of home teachers who taught their children.
Thus, Ivan Andreevich learned French.
Several years later, Krylov’s mother and her two sons went to. There she managed to get Ivan a job as a clerk in the government chamber.
Education
Reading Krylov's biography one cannot help but admire his passionate desire. Without receiving any systematic education, he studied independently with extreme persistence.
Constantly reading a lot, he mastered the richest. In addition, Krylov constantly moved among ordinary people and knew their life and manner of expression very well.
At the age of 15, he wrote a short comic opera, composing couplets for it and calling it “The Coffee House.”
It must be said that this was the first literary debut in Krylov’s biography. And although the opera was not very successful, the language of its writing was rich and vibrant.
Creation
When the Krylovs moved to St. Petersburg, the first public theater appeared there at that time. Naturally, the creatively gifted young man immediately visited it, and even became friends with some of the artists. This became an important event in his biography.
Not wanting to waste time on government service, Krylov quits and completely immerses himself in literary activity.
Ivan Krylov in his youth Having written the tragedy “Philomela,” Ivan Andreevich tried to imitate the classics, which was immediately noticed by critics.
The plot and form of the work were rather banal, but this failure did not bother or stop the young writer.
Krylov then wrote several comedies: “Mad Family”, “Pranksters” and “The Writer in the Hallway”. And although in comparison with “Philomela” these things were of higher quality, none of the listed works still impressed the reader.
Krylov's first fables
The first fables in the biography of Ivan Andreevich Krylov were published without a signature. They appeared in the magazine "Morning Hours" in 1788.
Three works, called “The Shy Gambler”, “The Fate of the Gamblers”, “The Newly Granted Donkey”, remained practically unnoticed, since they contained a lot of sarcasm and causticity, but little skill.
Magazine publishing
In 1789, Ivan Krylov, together with Rachmanin, began publishing the magazine “Mail of Spirits”. However, it was not a success and therefore had to be closed that same year.
After 3 years, with a group of like-minded people, Krylov publishes a magazine called “Spectator”. A year later, the magazine “St. Petersburg Mercury” appeared.
These publications published some of Krylov’s prose works, the most striking of which were the story “Kaib” and the article “A Eulogy to My Grandfather,” which was quite bold for its time, denouncing landowner tyranny.
Dark spots of the biography
Perhaps the authorities began to put pressure on him, or, as some biographers believe, failure in the literary field pushed him to seek happiness in other activities.
One way or another, at this time Krylov almost abandoned writing, and only in 1806 did he return to active literary activity.
Flourishing creativity and recognition
He is already writing quite talented translations of La Fontaine’s fables “The Oak and the Cane,” “The Picky Bride,” and “The Old Man and the Three Young People.”
Also in 1806, Ivan Krylov returned to St. Petersburg and staged the comedy “Fashion Shop”. Next year there will be another one – “A Lesson for Daughters”.
Society greets these productions with great enthusiasm, since in them Krylov also ridicules the French mania that began even before.
In 1809, a serious creative takeoff was observed in Krylov’s biography. The first edition of his fables, consisting of 23 works (among which is the well-known “Elephant and Pug”), is extremely popular.
Since then, Ivan Andreevich Krylov has become a famous fabulist, whose new works are eagerly awaited by the public.
At the same time, he returned to public service, and first entered a prominent position in the Coinage Department, and after 2 years - in the Imperial Public Library, where he worked from 1812 to 1841.
During this period of biography, Ivan Krylov changed a lot. He became complacent and reserved. Moreover, contemporaries noted that he was very calm, ironic and increasingly lazy.
Since 1836, Krylov no longer wrote anything, and in 1838 the literary community solemnly celebrated the 50th anniversary of the fabulist’s creative activity.
In total, more than 200 fables came from the pen of Ivan Andreevich Krylov. In some he denounced Russian reality, in others - human vices, and others were simply poetic anecdotes.
Many of Krylov’s surprisingly accurate and accurate words became part of the colloquial speech and enriched the Russian language.
A brief biography of Krylov does not allow us to fully convey the significance of the fabulist for Russian literature. We can only say that Ivan Andreevich’s lifetime popularity can only be compared with the popularity of, and.
Personal life
There were legends about Krylov's absent-mindedness, careless sloppiness and incredible appetite. Ivan Andreevich was absolutely indifferent to his appearance.
It would seem that such a person could not possibly enjoy the attention of the fair sex. Nevertheless, information from his contemporaries has been preserved, claiming that Ivan Krylov’s personal life, although not stormy, was certainly not absent.
At the age of 22, he fell in love with Anna, the daughter of a priest from the Bryansk district. However, despite mutual feelings on the part of the girl, things did not come to a wedding, since Anna’s relatives were against the marriage.
They were distantly related to and, moreover, wealthy. Therefore, they refused to marry their daughter to the poor rhymer.
But Anna was so sad that her parents finally agreed to give her to Ivan Krylov, which they telegraphed to him in St. Petersburg.
Having received the letter, Krylov calmly replied that he did not have enough time to come to Bryansk, and invited Anna’s parents to bring the bride to him.
Naturally, the girls’ relatives were offended by the answer, as a result of which the marriage never took place.
It is reliably known from Krylov’s biography that many eminent ladies were not indifferent to him. For example, he was loved by a ballerina who was the kept woman of Grand Duke Konstantin Pavlovich.
Moreover, contemporaries said that Empress Maria Feodorovna herself was very sympathetic to the charming fat man.
And this despite the fact that Ivan Andreevich somehow dared to appear in front of her in a holey boot with a finger sticking out of it, and even sneeze when he kissed the empress’s hand.
Ivan Krylov never married. Officially, he also did not have children, although contemporaries believed that the daughter of his cook, Sasha, was his father.
This is confirmed by the fact that Krylov sent her to a boarding school, and when the cook died, he raised her as his own daughter and gave her a large dowry. Before his death, the fabulist bequeathed all his property and rights to his works to Sasha’s husband.
Death of Krylov
An interesting fact is that there was a version that Krylov died from volvulus due to overeating. In fact, he died from bilateral inflammation.
Krylov's funeral was magnificent. Count Orlov himself - the second person in the state - removed one of the students and carried the coffin of the great fabulist.
Many cities and streets are named in honor of Ivan Krylov in Russia and other countries, and his work and biography are briefly studied by schoolchildren in grades 3, 5 and 6.
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