DIY roses from isolon. Master class with step-by-step photos. Products made from laminate backing - cheap and very beautiful! Bouquets made from laminate backing

Most Popular flooring, which is used in apartment renovation, is laminate. One of the reasons for its wide popularity is its extreme ease of installation. Thanks to it, the apartment owner can lay laminate flooring on his own without compromising quality. The intricacies of this work are described below.

About choosing and purchasing laminate

A huge selection of all kinds of colors and patterns is another reason for the popularity of laminate. Manufacturers are constantly expanding their range. Even for the most sophisticated design ideas there are two or three suitable options colors and designs.
When choosing a laminate, pay attention to the following nuances:
Thicker material is more durable. The thicker the laminate, the higher the profile of the locks, and, therefore, the adhesion strength of the elements.
Laminate with a chamfer around the perimeter of the elements is preferable. It looks more natural. In addition, the chamfer masks small cracks that may appear during operation.
Some types of laminate are sold with a backing already glued on. This laminate absorbs the sound of footsteps better and is somewhat easier to install.

Base requirements

Laminate is a very “democratic” material. It can be successfully laid on old coverings: parquet, linoleum, ceramic tiles, plank floors and, of course, concrete floors. The main requirement is that the base must be level. Most laminate manufacturers recommend that the curvature of the floor should not exceed 2 mm when measured with a meter stick.
It is important that the base is dry. If you are going to lay laminate flooring on a newly built cement screed, be sure to make a vapor barrier: cover the entire floor surface with polyethylene with an overlap of 30–40 cm.

Preparing tools and materials

In order not to waste extra time on work, everything should be at hand necessary materials and tools:
Sufficient amount of laminate and underlayment. Please note. That some of the material will go into scraps.
skirting boards, connecting elements for it and fasteners.
Electric jigsaw and 2-3 replacement files for it.

Hammer, small pry bar or nail puller.
Tape measure, square, pencil or marker for marking.

General Installation Considerations

Take the time to study the instructions for laying laminate flooring. General principles work for all types of laminate is the same, but when working with different types laminate has its own nuances. Pay attention to which direction - left to right or right to left - you need to collect rows. Find out how the elements on the short side are connected.

All types of laminate are laid in a “floating” manner: the material is not attached to the base. When humidity changes, the material “breathes” - its geometric dimensions change. To compensate for these changes, a gap of 8–10 mm is left around the perimeter of the room between the wall and the laid coating. It is covered with a plinth.
Typically, rows of laminate are located along the rays of light from the window. However, laminate flooring can be laid in a transverse direction and even at an angle of 45 degrees. Often, but not always, laying laminate begins from the wall in which the door is located or closest to it.
Having taken all these considerations into account, we determine where we will start laying and get to work.

Work progress

1. Spread the first row of underlay on the cleanly swept base of the floor. (If a vapor barrier is required, spread it out first and place the underlayment on top.)

2. Assembling the first row. We cut the last element in the row to length and place it at the beginning of the next row. Having assembled two rows completely, we check their straightness using a stretched thread.
3. Make sure that the distance between short joints in adjacent rows is at least 30–35 cm. If necessary, start the next row with a longer or shorter element.

4. Continue installation. When 3-4 rows are ready, we create a deformation gap between the laid covering and the wall. It is convenient to use small pieces of laminate, sawn from scraps.
5. If necessary, spread the backing and continue installation. We make sure that there are not the slightest gaps between the elements. We remove them with gentle blows of a hammer through a spacer made from a piece of laminate.

6. Laminate elements in the last row have to be cut to width. The room may not be rectangular. To cut a part of the required width, mark the cutting line “in place”, as shown in the figure.

7. To insert the elements of the last row into the locks without gaps, use a pry bar or a nail puller.
8. Having finished installation, install the baseboards. Packs of laminate require very careful handling. It's easy to damage locks and not even notice it. If this does happen, the damaged elements can be used along the edges so that the chipped parts go into scraps.

To reduce chips along the cut when cutting laminate, use special files with a reverse tooth, as in the photo, or mark and saw the laminate with reverse side.

Carefully check the cleanliness of the grooves in the locks: the slightest speck - and a gap will appear at the junction. On light laminate the cracks are especially noticeable.
To cut holes for heating pipes, use a narrow file figured cutting. Fill the gap between the laminate and the pipe with parquet sealant in the color of the laminate.
Laying laminate flooring in a room of 18–20 square meters. meters requires no more than 4–5 hours. One person can handle it.
The floor is ready for use immediately! You can bring it in and live.

Have you ever seen products made from laminate backing? I think that for some of you the first question will be what a substrate is, and only then the question about do-it-yourself products and crafts.

Meet the material that is common for apartment renovation, but unusual for handicrafts – laminate underlayment!

No, don’t rush to leave the page, the interesting things are just beginning...

Creativity is a wonderful activity. The ordinary turns into the extraordinary, and waste material It can be so interestingly processed that it turns out to be a masterpiece. And how great they look when they are made with their own hands from materials that are not at all intended for these purposes!

The heroine of our article also belongs to them - SUBSTRATE.

WHERE CAN I BUY A SUPPORT?

You won't believe it, but many craftsmen and craftswomen often stop by the store CONSTRUCTION MATERIALS. And since their view of things is infinitely creative, then with empty handed they never leave there.

The quality and variety of materials, paints, and tools are truly pleasing. All that remains is to think about what, where and how to apply it correctly.

Experienced salespeople in the store and at the building materials market will always answer any questions you may have. And sometimes there are quite a few of them - how to choose the right glue for the material, what paint to choose? You will definitely receive an answer.

CHARACTERISTICS AND PROPERTIES OF THE SUBSTRATE

First of all, the substrate is building material, which means you should not doubt its quality. In addition, products made by hand from this material will not bear such loads as in construction.

Please note PROPERTIES substrates:

soft,
flexible,
various delicate shades - white, pink, green, blue, yellow,
translucent and opaque,
durable,
relatively durable,
large width and length,
different thickness and density,
very cheap (the point is quite important),
Sold by the meter, not the whole roll.

AREA OF APPLICATION

The backing is a material for adult and children's creativity.

Where and how to use this material depends on you, on your creative imagination.

For my part, I will try to delight you with some ideas, based on which you can come up with your own products.

And over time, you will delight everyone with a variety of small and large, flat and voluminous works!

ATTACHMENT AND CONNECTION

This is one of the important points in working with any material, since the whole work depends on it.

Everything needs to be tested experimentally, in practice, and always on rough material. The substrate is a material with very smooth surface, so it’s difficult to find glue. One completely corrodes the surface of the substrate, the other does not connect it with any other material or with each other. There is no question of a thermal gun at all.

But a thread with a simple needle helps solve the problem of connecting and fastening parts in products. Sewing is very easy. The backing is easily pierced with a needle, the thread does not break through it in the places where the seam is laid.

Many crafts do not require connection or fastening at all. In this case NOT No glue or needle needed.

WHAT TO DRAW

When working with a substrate, sometimes it becomes necessary to transfer patterns or designs using stencils () onto its surface. This can be done with a regular ballpoint pen, the lines from which can then be easily erased.

CUT

To cut out patterns and details from the backing, you will need a utility knife and scissors of different sizes.

For external lines you can use scissors and a knife, for internal lines - a knife.

But the most important thing is to choose the tool you need for the job. comfortable work.

The backing is very easy to cut. But the tool must be sharp in order to cut, and not tear, the material. Working with a stationery knife, break off the end of the blade and continue working with a sharp blade further.

Be sure to place a wooden board under the work so as not to spoil the surface of the table, and do not throw away small pieces after cutting - they will be useful for making small products.

HOW TO ERASE LINES

After cutting out parts or patterns from the substrate, traces of a ballpoint pen may remain here and there, which can be easily erased from the surface.

You will need cologne, cotton pads and gloves. The contaminated surface is wiped with discs soaked in cologne.

Work with gloves and in a ventilated area.

WHAT PRODUCTS COME FROM THE SUBSTRATE

They keep their shape well
they are easy to care for,
they are convenient to store even in large quantities,
are not afraid of moisture,
very light and airy,
simply tender and beautiful.

All that remains is to say: “ Thanks a lot BUILDERS for such material!”

Are you wondering whether it’s worth interrupting your acquaintance with this wonderful material, from which you can make many interesting products?

Leave your feedback in the comments and share your experience with others!

Master class from the series “Crafts from non-traditional materials" Subject: painting “White Lady”

Rose
This flower is the most beautiful!
It can be both white and red,
May be yellow or pink,
It's like perfume is fragrant at the same time.
Only now the branch is pricking with thorns.
What kind of flower? Guess for yourself!
Svetlana Dzhus
Author: Morgalyuk Olga Stanislavovna, teacher additional education, MKOU DOD "TsDP", Kushva.
Purpose: the master class is designed for children aged 10–12 years, as well as teachers of additional education, and is one of a series of master classes on working with non-traditional materials.
Purpose: gift making, interior decoration.
Target: Make a picture in a frame with roses from isolon.
Tasks:
- create conditions for mastering theoretical knowledge and practical skills in working with isolon;
- develop creative thinking;
- cultivate perseverance, patience, accuracy.
Visual aids: finished works from isolon.

The technique that I suggest you master was invented experimentally in classes with children. Children are little explorers; they check everything by touch. While studying the properties of isolon in class, we discovered that the material stretches, forming an interesting edge.

PROPERTIES OF ISOLON
Izolon is a technical fabric that serves for insulation and insulation. It comes in different thicknesses: from 0.2 cm to 1 cm, material width from 1m to 2m. Sold in construction stores, the price is relatively low. The color scheme is not very diverse, the main colors are: white, green, yellow, red. Now Isolon has appeared with one side coated with foil, which gives certain effects. This material does not burn, but only melts; strong enough when stretched; cuts well with scissors and a cutter, which allows you to cut out a thin design on it; when you stretch it too much with your hands, it breaks, and if you don’t stretch it too much, you end up with a wavy edge. It sticks poorly, only with a heat gun. You can also staple or stitch together. Can be painted acrylic paints. Stores well in a roll; if stored folded, it forms a scar. When stored for a long time in the sun, it may turn yellow.

Materials and tools.
To work with isolon you will need the following materials and tools:
cardboard for templates, ballpen, scissors, heat gun, frame, packaging mesh for the background of the picture, hairspray, cosmetic glitter, spray paint.

Step by step process work.
1. Cut out stencils for flower petals and leaves from cardboard. The petal consists of an upper part and a leg: template No. 1 – 1 pc., No. 2 – 5 pcs., No. 3 – 5 pcs. (patterns 4 and 5 for larger flower)

2. Transfer the stencils of the petals to the isolon and trace with a pen (the pencil does not draw on the isolon, the marker smudges).

3. Cut out the outlined parts (the parts need to be cut along the inside, otherwise the line from the handle will be visible, which makes the work sloppy)

4. Stretch the edges of the upper part of the petal; I called this technique “stretching”. Do not pull too hard so as not to tear the workpiece. But if your edge is a little torn, don’t worry. This will give additional volume to the petal.

5. We start assembling from the middle of the flower, to do this, smear the lower edge of the first petal with glue and twist it.

6. Glue 5 small petals (template No. 2) in a circle, spreading glue on the stem. Attach the petals according to the diagram.

7. Glue 5 petals (template No. 3) in a circle, spreading glue on the stem. Attach the petals according to the diagram.
The finished flower looks like this.

8. For the composition we will need 3 rose flowers. Make two more in the same way as the first flower: using templates No. 1; 2; 3; 4 in the second flower and templates No. 1; 2; 3; 4; 5 in the third flower.

9. Transfer the leaf stencils to isolon and trace with a pen.

10. Cut out the outlined parts (don’t forget to cut along the inside!). Stretch the edges of the leaves (carefully!) You get these leaf blanks.

11. The scraps you have left over from cutting can be used. For example: if you stretch one edge of the strip, you get interesting element decor, and if you cut a circle in a spiral, you get a curl. These details can be used when designing your work.

12. For the composition you need three rose flowers, three leaves and decorative elements.

13. Spray the finished flowers with hairspray and, while it is still wet, sprinkle with glitter and fix with hairspray again.

14. Paint the finished frame with spray paint. Glue the mesh onto the frame with inside using a heat gun. You can use wallpaper for the background.

15. Glue the fragments of the picture onto the mesh using a heat gun. First attach the leaves, then the flowers and decor. When composing a composition, it is important to remember the basic laws of composition: the law of integrity - the indivisibility of composition and the law of contrasts. To compose this panel, I suggest using asymmetry, which will help give the work dynamism and lightness.