“I don’t like your irony...” Nikolai Nekrasov

I don't like your irony.
Leave her outdated and not alive,
And you and I, who loved so dearly,
Still retaining the remainder of the feeling, -
It’s too early for us to indulge in it!

Still shy and tender
Do you want to extend the date?
While rebelliousness is still boiling inside me
Jealous worries and dreams -
Don't rush the inevitable outcome!

And without that she is not far away:
We are boiling more intensely, full of the last thirst,
But there is a secret coldness and melancholy in the heart...
So in autumn the river is more turbulent,
But the raging waves are colder...

Analysis of Nekrasov’s poem “I don’t like your irony...”

In 1842, Nikolai Nekrasov met Avdotya Panaeva, the wife of the writer, in whose house writers often gathered. This woman, possessing not only a gift for journalism, but also an outstanding appearance, literally captivated the aspiring poet. However, many regulars of the literary salon fell victim to Panaeva’s charms, but only Nekrasov reciprocated.

This romance lasted for almost 20 years, bringing a lot of suffering not only to the lovers, but also to Panaeva’s husband. He was forced to become not only a participant in a love triangle, but also lived under the same roof with his wife and her chosen one. However, after the death of the child who was born to Panaeva from Nekrasov in 1849, the relationship between the lovers began to cool.

In 1850, realizing that a breakup was inevitable, Nekrasov created the poem “I don’t like your irony...”, dedicated to the relationship with his chosen one. He notes that he once had very tender feelings for this woman, who was no less deeply in love with the poet. However, time can not only smooth out hatred, but also destroy love. This is exactly what, according to Nekrasov, happened after the baby’s death, as if some invisible thread connecting two people had broken. The poet realizes that love has not yet completely faded away, noting: “You still shyly and tenderly want to extend the date.” But all the signs of the upcoming separation have already manifested themselves, and the author understands that no one can turn back time. He asks his chosen one only one thing: “Don’t rush the inevitable outcome!”

There is no doubt that it will come soon, although Nekrasov notes that both of them are still “full of the last thirst.” But the irony of the beloved, who the poet dislikes so much, indicates better than any words that this novel will very soon end in separation, because “a secret coldness and melancholy” settled in the heart after the death of his son.

True, Nikolai Nekrasov tried with all his might to save this controversial union, so it broke up only in the early 60s. Moreover, this happened contrary to the expectations of the poet, who hoped that the death of Panaeva’s husband would force her to reconsider her views on her relationship with the poet. However, this woman did not connect her future life with Nekrasov, deciding to remain free and no longer enter into the marriage that the poet was counting on. As a result, the couple separated, which was predicted by the author, who deep down hoped that Panaeva would still marry him.

Avdotya Yakovlevna Panaeva

The purpose of poetry is the elevation of the human soul. The poetry of N.A. Nekrasov is marked precisely by this desire to ennoble the soul and to awaken good feelings in the reader.

Speaking about the themes of N.A.’s poetry. Nekrasov, it should be noted that, along with works of a civil nature, he also has poems that are distinguished by a special emotional flavor. These are poems dedicated to friends and women. These include the poem “I don’t like your irony...”.

This poem was probably written in 1850. By that time, difficult times had come for the Sovremennik magazine, which Nekrasov was publishing. In Europe, shortly before this, a wave of revolutionary uprisings took place, which contributed to the strengthening of censorship in Russian Empire. Strict restrictions from the authorities led to the fact that the release of the next issue of the Sovremennik magazine was in jeopardy. Nekrasov found a way out of the critical situation by inviting Avdotya Yakovlevna Panova to jointly write a novel whose content would not cause dissatisfaction with the censors. The publication of this novel on the pages of Sovremennik could have saved the magazine from commercial collapse. Panaeva agreed to this proposal and took an active part in working on the novel, which was called “Dead Lake”.

Working on the novel brought Nekrasov and Panaeva much closer together, and new motives appeared in their relationship. Any joint creative endeavor, as well as life in general, includes both moments of joy and delight, as well as moments of grief and misunderstanding. At one of the moments of mental turmoil, Nekrasov writes the poem “I don’t like your irony...” addressed to A.Ya. Panaeva. The main theme of this poem is the relationship between two people, a man and a woman, who still value each other, but are already close to breaking off the relationship.

The work is written in the form of an appeal from the lyrical hero to his girlfriend. Compositionally, the poem “I don’t like your irony...” is conventionally divided into three semantic parts, three five-line lines. In the first part of the poem, the lyrical hero characterizes the relationship between two close people and shows how complex these relationships are. He heartfeltly says that mutual feelings have not yet died out completely and concludes that it is too early to indulge in mutual irony. In the second part of the poem, the lyrical hero urges his friend not to rush into breaking up the relationship, knowing full well that she still wants to continue meeting, and he himself is in the grip of jealous anxieties and dreams. In the final part of the poem, the optimistic mood of the lyrical hero comes to naught. He clearly realizes that, despite the external activity of their relationship with his friend, spiritual coldness is growing in his heart. The poem ends with an ellipsis, showing that the lyrical hero still hopes to continue the conversation on such an exciting topic for him.

N.A. Nekrasov’s poem “I don’t like your irony...” stands out significantly among his other works as an excellent example of intellectual poetry. This work is about people who are well aware of life, for whom it is characteristic high level relationships. Being on the verge of parting, they only feel sad and allow themselves to use only irony as a means of reproach towards each other.

The main idea of ​​the poem “I don’t like your irony” is that for people whose relationships are on the verge of separation, it is very important not to draw hasty conclusions and not to rush into rash decisions.

When analyzing this poem, it should be noted that it is written in iambic pentameter. Nekrasov rarely used two-syllable meters in his work, but in this case, the use of iambic pentameter is justified. This choice of the author gives the effect of a free sound of the verse and enhances its lyrical mood. In addition, iambic pentameter makes the line longer, encouraging readers to think about the content of the work.

The novelty and originality of the poem lay in the fact that Nekrasov used pentaverse stanzas with constantly changing rhyme schemes. The first stanza has a ring rhyme scheme (abba), the second has a cross rhyme scheme (ababa), and the third has mixed scheme, including both ring and cross circuits rhymes (abaab). This choice of rhyme schemes creates a lively feel. colloquial speech, at the same time maintaining the melodiousness and melody of the sound.

The means of artistic expression used by Nekrasov in this lyrical work, include such epithets as “inevitable denouement”, “full of thirst”, “turbulent river”, “raging waves”, which well convey the mood of the lyrical hero. The author also uses metaphors: “ardently loved”, “jealous anxieties”. Important place The poem is filled with exclamations that convey the degree of excitement of the lyrical hero: “It’s too early for us to indulge in it!”, “Don’t rush the inevitable denouement!”

Attention is also paid to such an element of artistic expression as allegory. Talking about mutual feelings two still loving friend a friend of people, the author compares these feelings to a river that becomes stormy in the fall, but its waters become colder.

My attitude to the poem “I don’t like your irony...” is as follows. Nekrasov cannot be classified as an author - a singer of beauty and love - but he felt love itself subtly. The poem activates the poet’s zone of experiences; it reflects his life impressions. He treats cooling in relationships without reproaches and edifications, in a philosophical way. The poet's feelings are conveyed masterfully.

“I don’t like your irony” Nekrasov

“I don’t like your irony” analysis of the work - theme, idea, genre, plot, composition, characters, issues and other issues are discussed in this article.

History of creation

The poem “I don’t like your irony” was written by Nekrasov, presumably in 1850, published in the Sovremennik magazine No. 11 for 1855. It is included in the collection of poems of 1856.

The poem is addressed to Avdotya Panaeva, with whom Nekrasov was in love. Their romance, which began in 1846 and lasted almost two decades, never ended in legal marriage. In this sense, the poem “I don’t like your irony” is prophetic.

Avdotya Panaeva was the wife of Nekrasov’s friend Ivan Panaev, with whom they revived Sovremennik together. Since 1847, the trio lived together; Nekrasov, with the consent of the flighty Ivan, became Panaeva’s common-law husband. Both were burdened by this connection, although they loved each other.

The relationship between Nekrasov and Panaeva was uneven. There were stormy showdowns and temporary cooling towards each other. This is what the poem is about.

Literary direction, genre

The poem “I don’t like your irony” refers to intimate lyrics and is included in the so-called “Panaev cycle.” It tells the story of the development love relationship, realistically explaining the internal causes of external changes in communication.

Theme, main idea and composition

The theme of the poem is the development of love relationships, the fading and cooling of feelings.

Main idea: only love is real life, therefore, love must be protected, you need to take care of its preservation, noticing the first signs of extinction.

The poem is an appeal to a beloved. The reason for the appeal was the mockery, the irony of the beloved in relation to the lyrical hero.

In the first stanza, the lyrical hero admits that his feelings are fading away, that the once ardent love is only warming in his heart. Irony, from the point of view of the lyrical hero, is characteristic of “those who have become obsolete and who have not lived,” that is, those who did not love at all or no longer love.

In the second stanza, the lyrical hero describes the current state of the relationship: the woman shyly and tenderly wants to extend the date, in the heart of the lyrical hero “jealous anxieties and dreams are boiling.” But love fades away, which is conveyed by the words “for now.” The last line of the second stanza calls the extinction of love an inevitable denouement.

In the last stanza, the lyrical hero no longer harbors illusions, does not hope to continue the relationship, which he calls for in the first two stanzas, using exclamatory sentences. Scandals and conflicts are a sign of the end of a relationship, when there is already “secret coldness and melancholy” in the heart.

Paths and images

The poem is based on the opposition of cold and hot, boiling and icing. Love is like a boiling stormy stream, which is described using metaphors: those who loved dearly, jealous anxieties and dreams are boiling, boiling more intensely, full of the last thirst. Feelings are opposed secret cold and melancholy hearts (metaphor of indifference).

Nekrasov compares the feelings preceding cooling to a river, which bubbles more strongly in the fall, although it becomes colder. Thus, the strength of feelings (storminess) is not equivalent for the lyrical hero to their quality (warmth or coldness). The river will boil and freeze, and so will love.

The poem has a complete thought even without the last two lines, which are preceded by an ellipsis. Comparing feelings with a stormy river is the last argument that the lyrical hero gives in order to achieve understanding of his beloved.

Epithets are of great importance in the poem. All of them are negatively colored: jealous anxieties and dreams, final thirst, inevitable denouement, secret cold. They are contrasted with adverbial epithets with a positive connotation: passionately loved, wished shyly and tenderly, seething rebelliously. The lyrical hero perceives the actions of the heroes as a manifestation of love, but state ( anxiety, thirst, denouement) considers them deprived of the desired feeling. This is how the idea of ​​a poem works on a linguistic level.

Meter and rhyme

The poem has an unusual rhythmic organization and rhyme pattern. The meter is defined as iambic pentameter, but there are so many pyrrhichs that the rhythm gets confused, like a person who cannot even out his breathing from excitement. This effect is facilitated by the shortened last line in the first stanza.

Each stanza consists of 5 lines, the rhyme pattern in each stanza is different. In the first stanza it is circular, in the second it is cross, in the third the cross alternates with the adjacent one. This disorder corresponds to the internal rebellion of the lyrical hero. The male rhyme alternates with the female rhyme, also disorderly due to different rhymes.

Nekrasov’s poem “I don’t like your irony...” stands out from the list of main topics on which the poet wrote. This is an intimate lyric that tells about the relationship between Nikolai Alekseevich himself and his beloved at that time, Avdotya Yakovlevna Panaeva.

The verse was written in 1850, five years after the beginning of the poet’s close relationship with Avdotya. Around this period, the first shoots of cooling appeared in their relationship, which Nekrasov writes about. The poem became available to the general public in 1855, when it was published in Sovremennik.

Main idea and theme

The main theme of Nekrasov's verse is the emergence of love in the past, its gradual dying in the present and the vision of complete cooling in the not-so-distant future. This is the story of two loving and beloved people who appreciate and value what they have between them, but who have come to the conclusion that the relationship has entered the stage of fading and can be terminated.

At the beginning of the work, the author admits his rejection of irony on the part of his beloved. The hero attributes such an attitude of his beloved to what he is doing as a sign of fading feelings and asks not to behave like that, because irony is the lot of those who have already experienced a period of intense attraction. He asks his beloved to prolong the feelings and passion that still exist in the relationship.

The second part of the verse is a clear demonstration of the behavior of the hero’s beloved and his own feelings. She is gentle and shy on dates, and she also wants them to last longer. He is full of jealous feelings and still burns with them. He asks his beloved not to bring the end of their relationship closer.

And, despite the requests, he already clearly sees the end, what is being discussed in the third part of the work. And this is precisely the culmination of the entire message. Emotions in the two of them, according to the hero, are boiling, but differently than at the beginning of the relationship. Now they are trying to quench the need for them, as if they were thirsty, greedily swallowing the remaining feelings. Meanwhile, in the heart there is already a growing melancholy and coldness of future alienation.

Structural analysis

The lyric poem “I don’t like your irony...” consists of three stanzas, each with five lines. The rhymes used by the author violate the seemingly strictly prescribed order, and thereby once again emphasize those contradictory feelings that are present in the poet’s soul. The contrasts contrasting each other enhance the impression. The passions in the heroes of the poem boil, but there is a secret cold in their hearts.

In the first stanza, Nekrasov uses a ring rhyme, in the second - a cross rhyme, and in the third he turns to a mixed one. In his stanzas, Nekrasov skips the stress, thereby conveying the excitement he experiences to the reader.

The emotional coloring is also very contrasting. Nikolai Alekseevich describes a number of experienced feelings tenderly and romantically: “ardently in love,” “shy and tender,” “full of thirst.” There is also negativity in the stanzas - these are “jealous anxieties”, “inevitable denouement”, “secret cold”.

Conclusion

In his work, the author sought to convey to the reader the idea that two loving people who have gradually come to the brink of separation, when the first calls about a cooling of feelings appear, should not rush to a final decision or draw hasty conclusions.

Nekrasov's poetry is distinguished by the desire to ennoble the soul and revive a good beginning in the soul of every reader. This desire was most clearly reflected in the poet’s lyrics, dedicated to real friends and beloved women.

In 1842, the poet Nekrasov met Avdotya Panaeva, the wife of the poet’s friend, writer Ivan Panaev, with whom he revived the Sovremennik magazine. The first meeting of Avdotya and Nikolai took place in her house, where literary figures often gathered in the evenings.

The poet fell in love with the woman at first sight: he was struck not only by her attractive appearance, but also by her special achievements in journalism. Panaeva accepted signs of attention from Nekrasov and a whirlwind romance began. And since 1847, Avdotya, her husband and Nekrasov began to live under the same roof. Ivan himself agreed that his friend should be the common-law husband of his legal wife and live with them in the same house. So Ivan wanted to save the marriage, believing that this relationship would not last long. However, Panaev was wrong about this: Nekrasov’s romance with Avdotya lasted almost twenty years. But the relationship between the lovers was not smooth; they often fought. As a result, the romance did not end in a legal union. The break in relations occurred after the death of the child born to Avdotya from the poet.

In 1850, Nekrasov realized that it was impossible to return the fervor of the old relationship. As a result of a long, painful novel for everyone, he writes the poem “I don’t like your irony.” In it, the poet noted that he had previously had amazing feelings for one woman. The passion for her was also intensified by the confidence that his chosen one loved the poet just as much. But time is ready not only to create, but also to destroy. It can destroy love.

Nekrasov believes that this happened after the death of their common child. It seems that the death of the baby broke the invisible thread between the lovers, and they began to move away from each other. But the poet understands that love has not completely died out, but everything around suggests that separation is inevitably on the threshold. The hero asks his chosen one only to hurry up this moment. He doesn’t like his lover’s irony, because it says better than any confession that the romance will soon come to an end.

This poem is built on contrasts. The image of love is created using a metaphor that compares feelings to a boiling stream. Indeed, in reality, the relationship between Panaeva and Nekrasov flared up sharply, seethed and, having exhausted itself, cooled down, as if all the water had poured out of a boiling vessel and it was empty.

The poem has a logical conclusion even without a short ending, before which the author placed an ellipsis. The comparison of love with a river is the last evidence that the poet brought to try to achieve an understanding of the chosen one.

Epithets play an important role here, such as “jealous anxieties.” Each of them has a negative rating. They are counterbalanced with positive epithets, such as “you tenderly wish.” This proximity hints at the constant mood swings of a couple in love.

Nekrasov sees the actions of a man and a woman as an active manifestation of love, but the poet considers the mental state described by the words “anxiety”, “thirst” to be without the desired feeling.

It is worth paying attention to the unusual rhythm and rhyme. The poem is written in iambic pentameter. However, there are so many pyrrhic here that the rhythm is lost, as if an overly excited man is losing his breath. This feeling is reinforced by the short final line at the beginning.

Nekrasov is a master of words. In just fifteen lines, he managed to tell the reader the love story of two people who lost it by confusing high feelings with base passions.